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From there we got an updated model which had the beginnings of some of the symmetrical shapes on the ship. So as explained before we started with a previs model from Uncharted Territory. And the legs of the ship expand as far as the Gulf of Mexico to Morocco. So imagine the ship covering the Atlantic Ocean from the eastern states of the USA too the NW part of Europe. The Mothership is roughly 4500 kms in diameter and its legs when fully stretched out are another 2000 km long.
The Mothership and its creation was a very big and daunting task.
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Once we had Johannes’ first pass at the large scale design language on the Mothership it was our job to incorporate the the texture and symbols from the City Destroyer in the first movie but at the proper scale so the continent sized Mothership still felt huge.Ĭan you explain in detail about its creation? We than had a chance to sit with designer Johannes Muecke and Roland which gave us a good foundation for how big the Mothership was and how it would move stop and land on the earth. We worked with Volker and his previs team which helped with the basic animation of the moving parts. How did you work with the art department for the creation of the Mothership? A great use of both our strengths made for a very rewarding experience. We both oversaw concepts, layout, animation, environments and I focused on Matte Paintings, roto/paint and composting. Mohsen assumed primary responsibility for asset creation, lighting, and effects. Mohsen was the pivotal force working with the team solving the more technical pipeline issues and pushing the technology needed to complete the work on the show. Mohsen’s main role with VFX Producer Robert Evans and the production team was organizing and running the day to day with Compositing Supervisors Mathew Giampa and Adrian Sutherland and Effects Supervisor Julius Lechner. The first movie was SAN ANDREAS where we he was VFX Supervisor for Vancouver as well. This was my second collaboration with Mohsen Mousavi. Mohsen Mousavi serves also as VFX Supervisor. Last but not least we had all the shots of the Mothership’s drill cutting into the earths crust but first creating a deep maelstrom in the Atlantic ocean.
This includes the Under The Mothership and Singapore destruction sequences (what goes up), as well as London(must come down).Īlso, the landing of the ship, when the Mothership « toes » land in both the Gulf of Mexico and Washington D.C. But the bulk of our shots were the major, worldwide destruction shots, as the Mothership enters Earth’s atmosphere, plants itself firmly on the Earth, and wreaks havoc. Scanline worked on the Africa sequence where the Jeff Goldblum character investigates the last remaining alien City Destroyer from the first invasion 20 years earlier. What were the sequences made by Scanline VFX? Roland and Volker worked with art director Luis Guggenberger to come up with 17 key concept images that were used to get the greenlight for the making of the next instalment of INDEPENDENCE DAY. Bigger ships, bigger fights and bigger aliens. Roland’s and Volker’s approach was to increase the overall scale. What were their approaches about the visual effects? And this would be my 3rd movie working with Roland, the first being THE DAY AFTER TOMORROW, followed by 2012, and the first time I have worked closely with Volker and his team at Uncharted Territory. The other projects were 2012 and WHITE HOUSE DOWN. This will be the 3rd time Scanline VFX has collaborated with Director Roland Emmerich and Production VFX Supervisor Volker Engel. How was this new collaboration with director Roland Emmerich and Production VFX Supervisor Volker Engel? Today he explains his work on INDEPENDENCE DAY RESURGENCE. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.In 2014, Bryan Grill had told us in detail about the work of Scanline VFX on CAPTAIN AMERICA – THE WINTER SOLDIER. But nothing can prepare us for the aliens' advanced and unprecedented force. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. After INDEPENDENCE DAY redefined the event movie genre, the next epic chapter delivers global catastrophe on an unimaginable scale.
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